My fifth grade class started out innocently enough.
We’ve been studying allegorical fiction, and we’ve studied over a half dozen picture books in the process. Today, I shared an award-winning allegorical animated short called How to Wait for a Very Long Time.
Students began by watching the film a few times, just to figure out what actually happens throughout and at the end. Once I inform them the story is an allegory, we watch it a few more times to discuss the meaning and draw parallels to the real world. During the viewing, students are allowed to ask me to pause the film so they can either discuss or take notes.
It was during one such viewing that a kid said, “Wait, go back. That part was in first person.”
What??
Indeed, that part – and one other brief moment – were told via first-person narration. As in, we saw the world the way the protagonist sees it:
WHOA.
I don’t know why, in all my years of being an avid consumer of animated shorts, I had never, ever stopped to consider narrative point-of-view as a literary device. I don’t know how I have watched this video easily fifty times already, and I had not yet noticed what this kid saw.
And now that I see it, I’ll be thinking about it all the time. And not just in animated shorts. It’s like taking a video and deciding which way the camera’s going to point.
And now that I’m thinking about that, I guess I’ll have to start thinking about all the craft moves I’m missing with film, video, animation.
You know, I always leave class smiling when students experience a mind-blowing moment. Experiencing one for myself today? Well, it made getting out of bed absolutely WORTH it.












